TheNikon 1 system
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The Nikon 1 system consists of nice, fast cameras with a number of unique technical ingredients. It is not so much a technological breakthrough, but more a complement to the market in the form of a camera with the features of a DSLR, with the convenience of a compact camera. In comparison with the cameras that we normally test for CameraStuffReview, the relatively small CX-sensor, which is called ‘1 inch’ and in reality is 13×9 mm; about half the size (in mm2) as the Micro Four Thirds system, and a quarter the size of APS-C. The image quality of a Nikon 1 is much better than a compact camera and even surprisingly good in comparison with SLRs or system cameras. However, in practice, it’s not actually about how a camera performs, but about how the public thinks it performs.
The Nikon 1 falls into the category of compact system cameras. And there is fierce competition. Competitors like Sony and Samsung have APS-C system cameras on the market that aren’t that much larger than the Nikon 1. Also the micro-43 system offers various very compact mirrorless cameras, as for example the Panasonic GM1, with interchangeable lenses. |
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The Nikon 1 system consists of four bodies: the AW, S, J and the V-series. The Nikon J is a compact camera with interchangeable lens, no viewfinder and a limited number of possibilities. Also in terms of operation this type is intended for the starter. The J has an electronic shutter with the capability of very short exposure times but with the inherent disadvantages of ‘rolling shutter’ effects and a long flash time; the V has a focal plane shutter, also very fast, with the added bonus of a flash sync speed of 1/250 sec. The Nikon V is bigger, thanks to an electronic viewfinder in addition to an LCD viewscreen, and has a lot more capabilities. The S version is the cheapest entry-level model of the Nikon 1 series. The AW model is waterproof (but not unlimited, of course) and shockproof (up to almost 2 meters, according to Nikon). |
Nikon V2 versus Panasonic GM1
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- Nikon V2 has a built-in viewfinder and more buttons on the camera
- Panasonic GM1 has a touch-screen
- Nikon V2 has fewer megapixels (14 vs 16) than the GM1
- Panasonic GM1 offers WiFi
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Viewfinder, screen and menu
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The Nikon V2 is so small that you can hold the camera in front of one eye, while you view the environment with your other eye – ideal for street photography. The viewfinder precision of an electronic viewfinder is of course 100%: What you see is what you get. That is an advantage over cheaper SLRs that usually have a viewfinder precision between 85 and 99%, not allowing you to see the whole picture that is eventually captured by the camera unless you’re shooting with Liveview. The monitor on the back of the camera is pretty bright, but neither rotatable nor tiltable.
The camera menu is concise and that’s nice. You learn to use this camera quickly. |
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Sharpness: resolution Nikon V2
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The Nikon V2 delivers sharp pictures, as you can read from our earlier testing of the Nikon 32 mm f/1.2 and the Nikkor 8.5 mm f/1.8, both of which we tested with a Nikon V2. In terms of resolution, the Nikon V2 in combination with these, somewhat more expensive, lenses gives nothing up to the resolution that you get from an entry-level SLR camera with a kit lens. The great thing about these two fixed-focus lenses is the high brightness. If you take pictures at maximum aperture, then you get a blurred background, which emphasizes the sense of sharpness of the subject. With the smaller sensor, the background blur is of course not nearly as woolly as with a camera with full-frame sensor. But if you’re used to a compact camera, it’s a huge step forward. |
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Dynamic range Nikon V2
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The Nikon 1 cameras have a much larger sensor than compact cameras that also have no high-pass filter. That has a positive effect on the dynamic range. Compared to compact cameras, the dynamic range is nice and big; it’s even similar to slide film from the analog era. The total dynamic range that we measured amounted to over 9.5 stops for a 160 ISO jpg file. This results in a usable dynamic range for jpg files (with better signal to noise ratio) of 6.5 stops. For a RAW file without noise reduction, the values respectively amounted to 5.5 and 5 stops. If you take the trouble to edit a RAW file, you can obtain the best image quality, although the differences becoming smaller. In the beginning you’ll even have difficulty matching the quality of jpg files when you start editing RAW files yourself. |
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Noise
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On this component, Nikon 1 cameras still have to acknowledge the superiority of cameras with a larger sensor, especially at higher ISO settings. But the results are much better than those of compact cameras, and under 400 ISO you don’t experience any disturbing noise, even if you enlarge the shot to 100% on your monitor. The following picutre was taken under poor lighting conditions at 400 ISO. |
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Color reproduction Nikon V2
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In daylight, the Nikon V2 delivers pictures with good color reproduction. The color deviation (Delta E 94) is small for both a RAW file converted in Lightroom and a (neutral) jpg file straight out of the camera.
The auto white balance of the Nikon V1 does its job just as well an SLR camera. In artificial light pictures, the deviation between RAW and jpg files is clearly visible, just as with all other cameras. |
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Color reproduction Nikon V2 in daylight |
Color reproduction Nikon V2 in artificial light |